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Steve Jobs

Director: Danny Boyle
USA/UK 2015, 122 min
  • Feb 7 & 11 @ 9:30pm
  • Feb 10 @ 7pm

Steve Jobs takes us behind the scenes of the digital revolution, to paint a portrait of the man at its epicenter.

Tokyo Godfathers

Director: Satoshi Kon
Japan 2003, 92 min
  • Feb 6 @ 7pm
  • Feb 7 @ 4pm
  • Feb 10 @ 9:30pm

An alcoholic, a trans-woman, and a teenaged runaway hunker down to spend a difficult Christmas homeless in central Tokyo when they discover an abandoned baby and vow to return it home.

David Shepherd presents Le confessionnal

Director: Robert Lepage
Canada/USA/France 1995, 100 min
  • Feb 11 @ 7pm

In the late 1980s, Pierre Lamontagne (Lothaire Bluteau) travels to his hometown in Quebec after his father dies. There, he runs into his adoptive brother, Marc (Patrick Goyette), who desperately wishes to uncover the mysterious identity of his own biological father.


Director: Jean-Luc Godard
France 1960, 90 min
  • Feb 12 @ 7pm
  • Feb 14 @ 2pm
  • Feb 16 @ 9:15pm

There was before Breathless, and there was after Breathless. Jean-Luc Godard burst onto the film scene in 1960 with this jazzy, free-form, and sexy homage to the American film genres that inspired him as a writer for Cahiers du cinéma.

DEDfest: Southbound

Director: Roxanne Benjamin, David Bruckner, Patrick Horvath, Radio Silence
USA 2016, 89 min
  • Feb 12 @ 9:30pm

On a desolate stretch of desert highway, weary travelers are forced to confront their worst fears and darkest secrets in these interwoven tales of terror and remorse on the open road.

RFC: The Princess Bride

Director: Rob Reiner
USA 1987, 98 min
  • Feb 13 @ 2pm

This sincerely whimsical send-up of classic fairy tales follows Buttercup and Wesley as they battle pirates, sea monsters, and an evil prince. 


Director: Marthandan
2016, 132 min
  • Feb 13 @ 4pm

Joy is a a drunken carefree young man who lead life without any aims or responsibilities, but his old acquaintance Babu Joseph, a college professor, helps make changes to Joy's insights towards life.


Director: Satoshi Kon
Japan 2007, 90 min
  • Feb 13 @ 7pm
  • Feb 14 @ 4pm
  • Feb 17 @ 9:30pm

In the near future, psychiatric researchers develop a revolutionary device that allows therapists to view the dreams of their patients. 

A Clockwork Orange

Director: Stanley Kubrik
UK/USA 1971, 136 min, Digital
  • Feb 13 & 15 @ 9:30pm
  • Feb 18 @ 6:45pm

Viddy well, my droogs - trying to make up your rassoodocks what to do with your evenings? Arguably Kubrick's most famous film and certainly his most controversial, it was banned in Britain for 26 years.

The Princess Bride Quote-A-Long

Director: Rob Reiner
USA 1987, 98 min
  • Feb 14 @ 7pm

A quote-along The Princess Bride? As you wish! Join Metro Cinema and a special guest host for an inconceivable Valentine’s Day special screening of this timeless classic for our debut quote-along show.

Pink Flamingos

Director: John Waters
USA 1972, 93 min
  • Feb 14 @ 9:30pm

The House of Homo-Cidal is a cult film-inspired drag troupe hell bent on serving cinema, female impersonation and debauchery in one nasty bundle.

The Goonies

Director: Richard Donner
USA 1985, 114 min
  • Feb 15 @ 2pm

When their neighbourhood is slated for demolition, the Goonies must figure out a way to save their homes. 

BHM: When We Were Kings: 20th Anniversary

Director: Leon Gast
USA 1996, 89 min
  • Feb 15 @ 4:30pm

On October 30, 1974, perhaps the most famous heavyweight championship boxing match of all time took place in Kinshasa, Zaire: the "Rumble in the Jungle" between champion George Foreman and challenger Muhammad Ali.

Staff: A River Runs Through It

Director: Robert Redford
USA 1992, 123 min
  • Feb 15 @ 7pm

Set in the stunning backdrop of rural Montana, A River Runs Through It tells the story of two brothers, different in many ways, yet they share a strong bond and a love for fishing.

The Room

Director: Tommy Wiseau
USA 2003, 99 min
  • Feb 5 & Mar 4 @ 11:30pm

The film widely considered the “Citizen Kane of bad movies” is back! Be sure to catch Tommy and his friends the first Friday of the month for a late night screening this classic piece of so-bad-it’s-good cinema. 

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